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The Forging the Future Mesh is a collection of essays and resources related to variable media preservation. The Mesh is organized by Forging the Future, a consortium of museums and cultural heritage organizations dedicated to exploring, developing, and sharing new vocabularies and tools for cultural preservation. |
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Opening the Source of Art by John Bellhttp://thoughtmesh.net/
publish/296.php — Published Monday, February 15th, 2010
 "We need not destroy the past; it is gone. At any moment it might reappear and seem to be and be the present. Would it be a repetition? Only if we thought we owned it, but since we don't, it is free and so are we." John Cage, Lecture on Nothing <continued>Accommodating the Unpredictable by Jon Ippolitohttp://thoughtmesh.net/
publish/301.php — Published Tuesday, February 2nd, 2010
This text is from the publication Permanence Through Change: The Variable Media Approach, published in 2003 by the Solomon R. Guggenheim Museum and the Daniel Langlois Foundation for Art, Science, and Technology.This text introduces the <continued>Case Study -- Grahame Weinbren and Roberta Friedman, The Erl King, 1982-85 by Jeff Rothenberghttp://thoughtmesh.net/
publish/261.php — Published Sunday, January 31st, 2010
This text is from the publication Permanence Through Change: The Variable Media Approach, published in 2003 by the Solomon R. Guggenheim Museum and the Daniel Langlois Foundation for Art, Science, and Technology.The following are excerpts from a <continued>Case Study -- Mark Napier, net.flag, 2002 by Jon Ippolito, Mark Napierhttp://thoughtmesh.net/
publish/266.php — Published Sunday, January 31st, 2010
This text is from the publication Permanence Through Change: The Variable Media Approach, published in 2003 by the Solomon R. Guggenheim Museum and the Daniel Langlois Foundation for Art, Science, and Technology.The following conversation merges <continued>Case Study -- Felix Gonzalez-Torres, Untitled (Public Opinion) by Nancy Spectorhttp://thoughtmesh.net/
publish/272.php — Published Sunday, January 31st, 2010
This text is from the publication Permanence Through Change: The Variable Media Approach, published in 2003 by the Solomon R. Guggenheim Museum and the Daniel Langlois Foundation for Art, Science, and Technology. The following are excerpts from <continued>Case Study -- Ken Jacobs, Bitemporal Vision: The Sea, 1994 by Jon Gartenberghttp://thoughtmesh.net/
publish/253.php — Published Sunday, January 31st, 2010
This text is from the publication Permanence Through Change: The Variable Media Approach, published in 2003 by the Solomon R. Guggenheim Museum and the Daniel Langlois Foundation for Art, Science, and Technology.The following are excerpts from <continued>The Challenge of Variable Media by John Hanhardthttp://thoughtmesh.net/
publish/252.php — Published Sunday, January 31st, 2010
This introductory text by John Hanhardt is from the publication Permanence Through Change: The Variable Media Approach, published in 2003 by the Solomon R. Guggenheim Museum and the Daniel Langlois Foundation for Art, Science, and Technology.Case Study -- Nam June Paik, TV Garden, 1974 by John Hanhardthttp://thoughtmesh.net/
publish/271.php — Published Sunday, January 31st, 2010
This text is from the publication Permanence Through Change: The Variable Media Approach, published in 2003 by the Solomon R. Guggenheim Museum and the Daniel Langlois Foundation for Art, Science, and Technology. The following are excerpts from <continued>Reality Check by Caitlin Joneshttp://thoughtmesh.net/
publish/262.php — Published Sunday, January 31st, 2010
This text is from the publication Permanence Through Change: The Variable Media Approach, published in 2003 by the Solomon R. Guggenheim Museum and the Daniel Langlois Foundation for Art, Science, and Technology. This text by Caitlin Jones outlines <continued>Case Study -- Meg Webster, Stick Spiral, 1986 by Carol Stringarihttp://thoughtmesh.net/
publish/269.php — Published Sunday, January 31st, 2010
This text is from the publication Permanence Through Change: The Variable Media Approach, published in 2003 by the Solomon R. Guggenheim Museum and the Daniel Langlois Foundation for Art, Science, and Technology.The following are excerpts from <continued>Beyond "Conservative" by Carol Stringarihttp://thoughtmesh.net/
publish/270.php — Published Sunday, January 31st, 2010
This text is from the publication Permanence Through Change: The Variable Media Approach, published in 2003 by the Solomon R. Guggenheim Museum and the Daniel Langlois Foundation for Art, Science, and Technology.In this text Guggenheim Conservator <continued>Perspectives -- Walker Art Center by Steve Dietzhttp://thoughtmesh.net/
publish/259.php — Published Sunday, January 31st, 2010
This text is from the publication Permanence Through Change: The Variable Media Approach, published in 2003 by the Solomon R. Guggenheim Museum and the Daniel Langlois Foundation for Art, Science, and Technology.In this text by Steve Dietz (formerly <continued>Perspectives -- Rhizome.org by Alena Williamshttp://thoughtmesh.net/
publish/273.php — Published Sunday, January 31st, 2010
This text is from the publication Permanence Through Change: The Variable Media Approach, published in 2003 by the Solomon R. Guggenheim Museum and the Daniel Langlois Foundation for Art, Science, and Technology. Williams' text outlines the <continued>Perspectives -- Performance Art Festival+Archives by Thomas Mulreadyhttp://thoughtmesh.net/
publish/265.php — Published Sunday, January 31st, 2010
This text is from the publication Permanence Through Change: The Variable Media Approach, published in 2003 by the Solomon R. Guggenheim Museum and the Daniel Langlois Foundation for Art, Science, and Technology.This text by Thomas Mulready from <continued>Perspectives -- Franklin Furnace Archive Inc. by Jessica Ludwighttp://thoughtmesh.net/
publish/264.php — Published Sunday, January 31st, 2010
This text is from the publication Permanence Through Change: The Variable Media Approach, published in 2003 by the Solomon R. Guggenheim Museum and the Daniel Langlois Foundation for Art, Science, and Technology.This text by Jessica Ludwig from <continued>Perspectives -- Berkeley Art Museum/Pacific Film Archive by Richard Rineharthttp://thoughtmesh.net/
publish/267.php — Published Sunday, January 31st, 2010
This text is from the publication Permanence Through Change: The Variable Media Approach, published in 2003 by the Solomon R. Guggenheim Museum and the Daniel Langlois Foundation for Art, Science, and Technology.Richard Rinehardt discusses the work <continued>The Goals of the Variable Media Network by Alain Depocashttp://thoughtmesh.net/
publish/258.php — Published Sunday, January 31st, 2010
This text is from the publication Permanence Through Change: The Variable Media Approach, published in 2003 by the Solomon R. Guggenheim Museum and the Daniel Langlois Foundation for Art, Science, and Technology.This text by Alain Depocas outlines <continued>Digital Decay by Bruce Sterlinghttp://thoughtmesh.net/
publish/299.php — Published Friday, January 22nd, 2010
Originally delivered as the keynote address for Preserving the Immaterial: A Conference on Variable Media at the Solomon R. Guggenheim Museum on March 30, 2001, this bellwether on the vulnerability of digital media to technical obsolescence was <continued>From "Here and Then" to "There and Now" by Jon Ippolitohttp://vectors.usc.edu/
thoughtmesh/publish/199
.php — Published Thursday, August 21st, 2008
This essay is an expanded version of a presentation at the 2007 DOCAM Summit, Daniel P. Langlois Foundation for Art, Science, and Technology, Montreal, 26 September 2007.Digital Performance by Jon Ippolitohttp://vectors.usc.edu/
thoughtmesh/publish/28.
php — Published Thursday, August 21st, 2008
Digital performance is a genre whose ephemerality makes it extremely vulnerable to obsolescence and oblivion. Yet in this essay Jon Ippolito argues that the process-oriented character of digital performance makes it a better model for the long-term <continued> |